For any film, color grading is an essential part of the process. For some it’s simply a way to get the shots within a scene to match cohesively, despite adjusted lights or a change of sun position.

Whether it’s Wes Anderson’s vibrant color palette in “The Grand Budapest Hotel” or the comic-styled color disruptions of Robert Rodriguez’s “Sin City,” the color of a film sets its mood and tone. Film ...

RedShark Replay: Grading is one of those skills that is incredibly difficult to master. So this seemed an opportune time to repeat the piece where Warren Eagles shares five top tips shedding light on ...