Considered to be one of the last Gaelic kings, the real Macbeth MacFindlaech wasn’t the murderous, terrible character of William Shakespeare’s The Tragedy of Macbeth. In reality, Macbeth became Earl ...
New productions of “Macbeth” and “Hamlet” follow a French tradition of adapting familiar works. The results are innovative, and sometimes cryptic. By Laura Cappelle The critic Laura Cappelle saw the ...
Whitney White is back in New Haven, as an actor rather than a director this time. The last time she was here, the Chicago-rooted multi-threat theater artist was directing “An Iliad” at Long Wharf ...
Performances in N.Y.C. Advertisement Supported by With “Macbeth” adaptations like “Peerless,” the inner lives of young women come into focus. By Diep Tran When the playwright Jiehae Park was in high ...
Most New Year’s resolutions are modest ambitions like eating healthier or reading more. Macbeth’s ambition is to become king. William Shakespeare’s Macbeth is Shakespeare Dallas’ winter production, ...
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